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Georgia Ensemble Theatre starts their 2019-2020 season with this Tennessee Williams classic. According to GET.org: “In this Pulitzer prize-winning drama, a wealthy Southern family faces a shattering revelation that in …
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Georgia Ensemble Theatre’s 27th season continues to take audiences on new adventures. Producing Artistic Director Allen-Farley says that “season 27 promises to be inspiring, fun and even a little scary …
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Nora returns as the delicious Aurora Theatre / Actor’s Express co-pro of “A Doll’s House, Part 2” moves to Lawrenceville. Other notables: a one-night “Della’s Diner” reunion; the approaching “Ever After” (Alliance) + “Unexpected Play Festival” (Theatrical Outfit).
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Georgia Ensemble Theatre goes inside Hollywood with “Moonlight & Magnolias,” a 2004 farce that peeks behind the camera as producer-screenwriter David O. Selznick, director Victor Fleming and screenwriter Ben Hecht try to solve the riddle that is “Gone With the Wind.”
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The ASO salutes Leonard Bernstein on Jan. 10 + 12; “Love’s Labour’s Lost” opens at the Shakespeare Tavern; and Georgia Ensemble’s “Million Dollar Quartet” continues off-site. Just ahead: a “Della’s Diner” reunion, the Alliance’s Cinderella-ish “Ever After” and “A Doll’s House, Part 2,” at Aurora Theatre.
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Welcome to the last column of the year. With it, a jolly holiday to all. Many holiday shows exit after this weekend, although four hold on a bit longer. Then set your sleigh’s GPS for some of the bigger openings of the season.
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Christmas, anyone? Your best bets this week range from concerts to a ballet and include musicals, puppets, dramas, satires, one-person shows and something for families, kids, grown-ups and the biggest “bah, humbugs” in your bunch.
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Arís Theatre marks the 100th anniversary of the end of World War I with the Veterans Day-timed “Not About Heroes”; “Knead” (Alliance) premieres; Steve Yockey’s bloody smart “Reykjavik” (Actor’s Express) runs on; and Halloween shows give way to Christmas stories. Details in this week’s curated column.
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Steve Yockey’s sexy-scary “Reykjavik” continues at Actor’s Express; “The Royale” throws its last punch at Theatrical Outfit; the ASO takes on Mahler’s majestic 10th Symphony; and The Atlanta Opera dances and sings its way through “West Side Story.” All this and more in this week’s curated column.
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I LOVED, I LOST, I ATE SPAGHETTI may best be described as a saucy, one-woman romantic comedy about the trials and tribulations of navigating the minefield that is big-city dating.
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