BEST BETS | April 20-26, 2017
We’re pretty happy that Sutton Foster is singing with the ASO. Also recommended: The romantic thriller “Strait of Gibraltar” closing Sunday (Synchronicity).
Read MoreEnergy of the Stage
We’re pretty happy that Sutton Foster is singing with the ASO. Also recommended: The romantic thriller “Strait of Gibraltar” closing Sunday (Synchronicity).
Read MoreStill our top pick: “White Woman in Progress,” (7 Stages world premiere). Opening this week: “Don Pasquale” (Atlanta Opera), “Grease” (Serenbe), “The Magic Negro” (Alliance), “Simply Simone” (Outfit).
Read MoreDon’t miss “Too Heavy for Your Pocket,” closing Sunday at the Alliance. Plus. Much. More.
Read MoreA $2.5 million gift completes the $25 million Musicians’ Endowment Campaign two years ahead of schedule and will add 11 players to orchestra.
Read MoreIf I could see anything this week, I’d revisit D.C. via Horizon Theatre’s “City of Conversation.” about you? Significant Other” at AE, perhaps? A date with the ASO?
Read MoreThis week’s column has a red and greenish tint, and there’s a musical or comedy or drama for nearly every taste.
Read MoreOur best of the best this week includes “Vanya and Sonia and Masha and Spike” at Aurora Theatre, “In the Next Room, or the vibrator play” at Synchronicity and “Stupid F*cking Bird” at Actor’s Express.” Go see a show!
Read MoreThis weekend is rich with things to see and do. Our top pick: Synchronicity Theatre’s “In the Next Room, or the vibrator play,” a Pulitzer- and Tony-nominated sex comedy by Sarah Ruhl. It marks actor Daniel May’s (“The Walking Dead”) first time on an Atlanta stage in four years. Other don’t-misses: “Stupid F*cking Bird” at Actor’s Express, “A Steady Rain” at the Alliance and, of course, the ASO.
Read MoreOur top picks: “Memphis” at the Rialto, “One Flew Over the Cuckoo’s Nest” at the Alliance and “Stupid F*cking Bird” at Actor’s Express. Two of three go away after Sunday.
Read MoreJennifer Barlament, who has more than 15 years of orchestra experience, will become executive director, the symphony’s top administrator. She begins work Jan. 1.
Read More