'A Christmas card to Atlanta'

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    [post_content] => Most families have their holiday traditions. Chances are, going to see A Christmas Carol at the Alliance Theatre is one of yours. Something you may not realize, however, is that the show is a holiday tradition for some of its actors, too.

For example, this is the 26th consecutive year Chris Kayser, who plays Ebenezer Scrooge, has appeared in a theatrical adaptation of Charles Dickens' famous novel. "I started at the Academy Theatre, which is now the 14th Street Playhouse," Kayser explains. "When the Academy Theatre closed, the Alliance Theatre started doing A Christmas Carol, so I started doing it [here]."

He hasn't always played Scrooge, however. In the many different versions he's done over the years, he's appeared as Bob Cratchit, Old Joe, Topper and Marley. "One year at the Academy, I did this totally made up character, Lorenzo," he remembers with a laugh. "I wheeled myself around in a cart and pretended to be legless. I didn't say anything, but I had a little piano in that wagon, and I used to play it." He offered to  reprise the role of Lorenzo for subsequent shows, "but nobody seemed too keen," he chuckles.

Some of his favorite years with the show were when his daughter appeared with him onstage at the Alliance. "My daughter was in it with me for four years, when she was between the ages of eight and 12," he says. "I only expected her to do it once, but as it turns out, she was really good." He also has fond memories of a moment shared with singer/actress Bernadine Mitchell in the Sandra Deer adaptation of the show. "There's a moment where Scrooge is left onstage and, to cheer me up, she sang to me. I used to think 'She's singing just to me, and people pay a lot of money to see her sing; I love my job!'"

Now in his 15th year as Scrooge, Kayser says he never gets bored. "I believe in the play," he says. "I believe it's worth doing. And it's not like being in a hit on Broadway, where you're doing the same thing for six or seven years in a row. It's one of six or seven shows [I do] a year."

Bart Hansard, who's in his sixth year with the show, says Kayser inspires the rest of the cast to keep things fresh. "He comes out every night, and it's like the first time he's gone on this journey," Hansard says. "It's a challenge to stay with him and make it seem spontaneous."

Hansard plays Mr. Fezzywig and the Ghost of Christmas Present. One of the things he loves most about the show is working with director, Rosemary Newcott, the Sally G. Tomlinson Artistic Director of Theatre for Youth, and getting together with the cast for holiday meals. "I'm [also] a big Christmas-phile," he says. "It's fun to do this particular story, and … this is a show that my parents can bring their friends to and my sister can bring her kids to. It's a nice, inclusive show for everyone in the community."

When Hansard first joined the cast, he researched the play by watching every version of A Christmas Carol that he could find — from the Scrooge McDuck cartoon to the Bill Murray movie Scrooged. "It made me realize how universal [the story] is," he says. "People love it because they know Scrooge is going to be redeemed, but it's sort of delicious knowing what a curmudgeon he is going to be beforehand."

That theme is a big reason why Neal Ghant, who plays Bob Cratchit, is returning to the Alliance for his 10th season with the show. "It has some strong moral messages about forgiveness and redemption," he explains.

Over the years, Ghant has played every part except for the women's roles. "But I know all the women's roles, too," he chuckles. Backstage, he says, there's a real family feel, which is cultivated by the Alliance's attempt to hire the same local cast members year after year. That familiarity has given way to another holiday tradition for the cast: pranks.

One of Ghant's favorite backstage pranks is Mr. Cheer. "Mr. Cheer is Bart Hansard," Ghant explains. "He loves to walk around in this leotard, and he's created this entire persona [that], before the show, comes out in the green room. At some point [during the run], everyone's expecting it, but he only does it once or twice a season."

His favorite show moment, however, is onstage. "At the opening of the second act, the entire cast is downstage and sing 'I Hear the Bells,'" Ghant says. "It's a really powerful moment for me. The ideas of redemption are just now being introduced, and you get to look right in the audience's eyes — children and their parents — and see them smile and enjoy the show."

Seeing children in the theatre every night also reminds Ghant of why doing A Christmas Carol is important. Because, for a moment, he says, it doesn't matter how tired or cold he is — he's temporarily part of the magic of Christmas.

Hansard says director Rosemary Newcott has a great phrase she uses to sum up the show. "She says, 'This is a Christmas card that we are giving to the city of Atlanta.'" Other shows may try to exclude or ignore the audience, he adds, but A Christmas Carol deliberately lowers the fourth wall to let you, the audience, become part of the experience.
    [post_title] => 'A Christmas card to Atlanta'
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Most families have their holiday traditions. Chances are, going to see A Christmas Carol at the Alliance Theatre is one of yours. Something you may not realize, however, is that …

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Community support

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    [post_author] => 8
    [post_date] => 2010-11-29 10:00:00
    [post_date_gmt] => 2010-11-29 14:00:00
    [post_content] => For every $100 spent in independent, locally owned businesses, $68 returns to the community through payroll, taxes and other expenditures. If you spend that in a national chain store, only $43 returns, and if you spend it online, nothing returns, according to 2009 U.S. Department of Labor statistics. Project 3/50 is a grassroots initiative that encourages consumers to patronize local small businesses for the sake of building up our communities. By picking three businesses and spending at least $50 a month, you funnel millions of dollars back into the local economy, in turn, "saving the brick and mortars are nation is built upon." Get to spending!

 



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For every $100 spent in independent, locally owned businesses, $68 returns to the community through payroll, taxes and other expenditures. If you spend that in a national chain store, only …

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Fanciful fun

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    [post_author] => 8
    [post_date] => 2010-11-22 10:00:59
    [post_date_gmt] => 2010-11-22 14:00:59
    [post_content] => Explore the world in a whole new way with Grand Camp Adventures, an imaginative take on camping for grandparents and grandchildren. Brought to life by creative storybooks, original music, vivid art and interactive games and crafts, “grand camping” sparks imagination, feeds discovery and strengthens the bond between families. Played indoors, outdoors and online, everything you need for a grand quest is available on grandcamp.com.
    [post_title] => Fanciful fun
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Explore the world in a whole new way with Grand Camp Adventures, an imaginative take on camping for grandparents and grandchildren. Brought to life by creative storybooks, original music, vivid …

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The new happy hour

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    [post_date] => 2010-11-17 15:00:18
    [post_date_gmt] => 2010-11-17 19:00:18
    [post_content] => Authentic Beauty, a hip hair and makeup boutique in Buckhead, has put a unique spin on the concept of happy hour. Their new service, "Style and Shine" gives women a chance to unwind from the day and freshen up their look with a mini-makeover and cocktails. Offered Tuesday through Friday from 4:30 – 7 p.m., Style and Shine is also a quick way to prepare for an evening out. The cost is $55 and available by appointment only.

 

De-stress and refresh: 4674 Roswell Road, Atlanta; 404-849-0443.
    [post_title] => The new happy hour
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Authentic Beauty, a hip hair and makeup boutique in Buckhead, has put a unique spin on the concept of happy hour. Their new service, “Style and Shine” gives women a …

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Atlanta prep

WP_Post Object
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    [ID] => 3614
    [post_author] => 8
    [post_date] => 2010-11-17 10:00:58
    [post_date_gmt] => 2010-11-17 14:00:58
    [post_content] => Greater Atlanta has an abundance of independent schools all dedicated to providing the education needed for students to get into top colleges and universities. Here is a roundup of some of the area's finest.

Atlanta Country Day School

Atlanta Country Day School targets students in grades seven through 12, who haven’t experienced academic success in traditional, highly structured learning environments. Group or individualized instruction is offered for students with average to extremely above average abilities. Classes meet Monday – Thursday, with a two-hour block assigned to each subject matter. Admission is on a rolling basis. To schedule an informational tour, call 770-998-0311.

Atlanta Girls’ School

Atlanta Girls' School (AGS) offers a rigorous, nonsectarian college preparatory curriculum for grades six through 12. Focused on instilling leadership, character and confidence, AGS offers an intimate classroom atmosphere, honors and AP courses and mandatory development programs, which, among other things, encourage public service, ethics and philanthropy. For enrollment information, call 404-845-0900.

Atlanta International School

Atlanta International School (AIS) is founded on the joy of learning and hope, and specializes in a well-rounded, global education. An International Baccalaureate program school, AIS offers a diverse atmosphere and bilingual curriculum that prepares students in Pre-K through grade 12 to be intelligent and active participants within the international community. For more information or to schedule a tour, call 404-841-3891.

The Ben Franklin Academy

The Ben Franklin Academy offers a  college preparatory curriculum with individualized instruction with  regard for each student’s different learning styles and abilities. Set  in a non-traditional school environment, enrollment is open for grades  nine through 12. For more information, call Dr. Wood Smethurst at  404-633-7404.

The Cliff Valley School

The Cliff Valley School specializes in preschool and elementary education with a tri-fold focus on academic, social and emotional development. Known for its "child-centered curriculum" and active parent community (the school was founded by parents 40 years ago), Cliff Valley offers research-based instruction and programs for students in kindergarten through grade five. Plans to expand into middle school grades are underway, with sixth grade enrollment beginning in the fall of 2011. For more information or to RSVP for an open house, contact Megan Vitale at 678-302-1302.

The Cottage School

The Cottage School (TCS) offers a unique educational environment for students (grades six through 12) with special learning needs. Small, structured classes provide pupils with the tools to achieve their academic goals, develop time management and interpersonal skills and plan for their post secondary futures. TCS also provides afterschool tutoring and high school credit courses for students in area schools. Open houses are every Thursday. For more information, call 770-641-8688.

The Galloway School

Founded in 1969, the Galloway School is a philosophically grounded, learner-focused school for students age 3 through grade 12. Tours are scheduled through February. For more information, call 404-252-8389, extension 181.

Greater Atlanta Christian

The Greater Atlanta Christian School offers a college preparatory as well as spiritual education. Serving pre-K through grade 12, the school is affiliated with, but not owned by the Churches of Christ. Call 770-243-2274 for admissions information.

The Howard School

The Howard School specializes in personalized education for students in grades K-12 who have language learning disabilities and differences. The flexible curriculum encourages greater understanding and helps to maximize each pupil's educational experience and success. Admission is on a rolling basis. For more information, please contact Anne Beisel at 404-377-7436.

Lovett

Now in its 85th year, the Lovett School is an independent school for grades K-12 and aims to develop the total child — intellectually, physically, spiritually, socially, aesthetically and emotionally. For admissions information, call 404-262-3032.

Marist School

Marist is a co-educational school of over 1,000 students, grades seven through 12, that is dedicated to the pursuit of academic excellence, the heritage of Catholic education, and the spirit of the Society of Mary. Campus tours are every Monday, Wednesday and Friday through Feb. 18. For more information, call 770-936-2214 for more information.

Pace Academy

Pace Academy offers intimate classroom settings and a well-rounded curriculum that helps students (grades K-12) become prepared and confident citizens of the world. With a strong focus on the whole child, Pace pupils are developed into academically, culturally, socially, athletically and emotionally strong students. For admissions information, contact Claire Strowd at 404-240-9109 or call 404-262-1345.

Paideia School

The Paideia School’s philosophy is based on the belief that schools can be informal and individualized, yet still educate well. Paideia offers half-day classes for children ages 3 – 5 and kindergarten through grade 12. For information on tour dates, contact Flo Henry at 404-270-2312 or call 404-377-3491.

The Waldorf School of Atlanta

The Waldorf School of Atlanta embraces the natural and eager learning style of children in preschool through grade 12. With a rich academic curriculum, enlivened by the arts and practical skills, the Waldorf education focuses on the individual development of each student. Group tours and informational sessions for parents are held on Wednesdays from 8:30 a.m. – 10:30 a.m., through February 2011, with an extra session in April. Educational sessions by grade level will be held in March. For more information, please contact Stacey Alston, enrollment director, at 404-377-1315.

The Walker School

The Walker School offers a college preparatory education in an environment that values personal integrity, creativity and a lifelong love of learning. Pre-K through grade 12. Open houses are Jan. 9 and Feb. 6. For admissions information, contact Patti Logan at 678-581-6891 or call 770-427-2689.

The Weber School

Formerly the New Atlanta Jewish Community High School, the Weber School integrates an open, critical focus on Jewish tradition with a classical, liberal arts education for grades nine through 12. Student tours are Jan. 13 and 25. For more information, contact Rise Arkin at 404-917-2500, ext. 17.

The Westminster Schools

Westminster is a Christian, independent day school for students in kindergarten through grade 12. The  application deadline is Jan. 28. To arrange a tour, call 404-609-6202 or 404-355-8673.

Woodward Academy

Woodward Academy educates over 2,800 students in pre-kindergarten through grade 12 in two locations: Woodward North in Johns Creek, pre-K through grade six; and the main campus in College Park with pre-K through grade 12. Group tours are every Thursday at 1:30 p.m., until February. For reservations, call 404-765-4001. For tours of the Woodward North campus, call 404-765-4490.
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Greater Atlanta has an abundance of independent schools all dedicated to providing the education needed for students to get into top colleges and universities. Here is a roundup of some …

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51st Nutcracker heralds fresh beginning for ballet

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    [post_content] => Atlanta Ballet has been dancing The Nutcracker for 51 years, longer than many of us in its audience have been alive. Think about that for a moment — and try to grasp just how steady, inspired and determined that makes this company of artistic athletes and its leaders.

It’s appropriate then that this season’s Nutcracker nods to Atlanta Ballet’s traditions, celebrates its present and looks with giddy anticipation to its future.

This is a watershed moment for the nation’s longest continuously operating dance troupe, born in 1929 and emboldened in 2010. It has a new executive director, a gorgeous new home, a season alive with world and company premieres, and an excitement that is contagious. Even its annual holiday gift to metro Atlanta features a few new wrinkles:
  • The Atlanta Ballet Orchestra will play live at each of The Nutcracker’s 23 performances. Not so long ago, a cash-challenged Atlanta Ballet was forced to use recorded music.
  • Dozens of new costumes conceived by designer April McCoy will decorate the long limbs and graceful ways of the Nutcracker’s 200-plus performers. The core company of 21 dancers and six apprentices was still perfecting its Moulin Rouge can-cans when stitchers in the costume shop began wrestling with the beads and other detailed flourishes required for Sugar Plum Fairies and a heroic Prince.
  • Brother and sister Jared and Abigail Tan from the Philippines will dance their first Nutcracker as company members, joining colleagues who come from such disparate places as Minnesota, Connecticut, California, Canada, South Korea, Uruguay, and of course, Georgia.
To create this annual winter wonderland, it takes 20 pounds of snow; eight tons of scenery, lighting and props; and a 38-ft. tall Christmas tree. This Nutcracker, choreographed by Atlanta Ballet Artistic Director John McFall, met its first Atlanta audience in 1996. It’s set in St. Petersburg, Russia, and features the fanciful journey of a little girl named Clara, who meets some extraordinary characters as her dreamy fantasies melt into reality. Before 1996, Atlanta Ballet danced the great George Balanchine’s Nutcracker, which is set in Germany and features a young heroine named Marie. Atlanta Ballet was the first company outside of the New York City Ballet given permission to dance the storied Balanchine version. That’s just one of many stories in the company’s history book, one that adds a fat and happy new chapter with the 2010-11 season. The Nutcracker dancers prepped this year’s ballet in their brand-new home on the far west edge of West Midtown. The $10.9 million, 54,000-sq. ft. facility is spacious, airy, bright and energy efficient — it’s the only arts headquarters in the country with Gold LEED certification. If you’d ever stepped foot in the ballet’s well-worn former headquarters on West Peachtree Street, you’d realize just how far it has come. Costumes can now be seen where they are stored. Sets and props (formerly crafted at a separate location) can be wheeled from a next-door warehouse into rehearsal studios. Little dancers coming to class aren’t stacked knees to elbows in a lobby that serves as entrance, exit, office space and waiting room. The Michael C. Carlos Dance Centre, as the new space is called, features five studios, a physical therapy suite, a student library, costume shop, dressing and locker rooms for both the professional company and students, and a boutique. Yet to come: a black-box theater at which previews and special events will be staged. The Centre’s main hallway is adorned with large blown-up, black and white photos of company members such as Christine Winkler, who’s now in her 16th season and has danced most of the company’s leading roles. Another signature is a translucent material called “Kalwall” that forms the building’s outer walls. These energy efficient panels play nicely with both natural and artificial light and give the new Centre its architectural accent. The beauty and functionality of the Centre can’t be underestimated, especially if you’re an Atlanta Ballet dancer. This is where, for all intents and purposes, the dancers live 10 or so months each year. Atlanta Ballet looks to its future with longtime leader McFall, also in his 16th season, and Executive Director Arthur Jacobus, who spent 20 years with the Pacific Northwest and San Francisco ballets, and came to Atlanta after seven years as CEO and executive director of the Pilchuck Glass School in Seattle. “After a nearly seven-year absence, it is exciting to have the opportunity to once again serve the art form about which I am most passionate and in which I have the most experience,” Jacobus says. McFall is jazzed about a $500,000 fund that Jacobus created so the company can seek out talented new choreographers in both the United States and abroad. His dancers, McFall says, are thrilled and “vitally interested in working with the best choreographers around the globe.” Perhaps ballet leaders didn’t realize how prescient their purchase of the West Midtown property would prove to be. The former home of a Hotpoint appliance factory, the location is on pointe and hotter than ever, in ways its previous tenants could never have imagined. Kathy Janich is an Atlanta theater artist and freelance writer. After years in daily newspapers, she’s found a joyous second career as an artistic associate at Atlanta’s Synchronicity Theatre. Visit synchrotheatre.com. [post_title] => 51st Nutcracker heralds fresh beginning for ballet [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => 51st-nutcracker-heralds-fresh-beginning-for-ballet [to_ping] => [pinged] => [post_modified] => 2010-11-17 10:00:31 [post_modified_gmt] => 2010-11-17 14:00:31 [post_content_filtered] => [post_parent] => 0 [guid] => https://encoreatlanta.com/?p=3592 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )

Atlanta Ballet has been dancing The Nutcracker for 51 years, longer than many of us in its audience have been alive. Think about that for a moment — and try …

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Seven ways to recession-proof your holidays

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    [post_date] => 2010-11-16 10:00:33
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    [post_content] => 1. Create a budget and stick to it. Decide what your total limit is, and then use that number to decide how much you can spend on everyone on your list.
 

2. Shop online for bargains. With a little research, you can find store items for as much to 40 percent off online.


3. Go to craft fairs and holiday markets. You may be able to get 2-for-1 deals and special concessions if you bargain with individual artists or craftsmen.


4. Have a potluck. Ask everyone on your guest list to prepare a particular food or drink. Then, gather at one house for the meal. Or, create a progressive dinner by traveling from house to house for each course.

5. Draw names out of a hat. Rather than worry about getting presents for every niece, nephew and cousin, put all the names in a hat and divvy up the present-buying responsibility among the adults in your family, so each person is only responsible for one present.


6. Make decorations with your family. Popcorn garlands, glittery pine cones and homemade wreaths not only are economical, they're fun and easy crafts kids will enjoy helping you with. For ideas, go to crafts.kaboose.com or marthastewart.com.


7. Skype call relatives. If you go to Skype.com, start a profile and download the software, you can call anyone else on Skype for free from your computer. Mobile versions for your cell phone also are available. And if you have a webcam, that means your out-of-town relatives will be able to see as well as hear you.
    [post_title] => Seven ways to recession-proof your holidays
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1. Create a budget and stick to it. Decide what your total limit is, and then use that number to decide how much you can spend on everyone on your …

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Hassle-free holiday shopping

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    [post_date] => 2010-11-16 09:30:31
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    [post_content] => Hassle-free holiday shopping is not an oxymoron, and yes, it's quite possible. With online shopping, you can make your list and check it twice, then buy everything on it with just a click of the mouse. Now that you no longer have to fight traffic to get to the store before closing time, circle jam-packed parking lots or wait in endlessly long lines, you’ll have plenty of time to dress up for all those holiday parties or prepare for your in-laws.

If you’re new to online shopping (and for the sake of this article, we’ll assume you are), you may have a few qualms about buying anything online, let alone a gift for someone else; but there's really nothing to worry about. In fact, online shopping is one of those things that once you get the hang of, you wonder why you waited so long to do it. And, if you can get past the delayed gratification of not leaving the store with your items in hand, it might just become a new holiday tradition.

The biggest concern most people have about online shopping is security, yet it's not as risky as you may think. Most websites have safeguards in place to protect your privacy, but for added peace of mind, follow these tips:
  • Only shop from reputable and well-known companies. Not only are they more likely to have robust security guards in place, they also may have better satisfaction guarantees than lesser known sites.
  • Make sure that the website switches to a secure connection before you enter your payment information. An "https" should precede the URL in the address bar, and there should be a little padlock icon in the bottom left or right corner of your browser. If it's not secure, don’t enter any personal data.
  • Only use one credit card for all online purchases. If there’s a problem, it will be easier to pinpoint which card company needs to be contacted.
  • Use a credit card rather than a debit card. In the case of fraud, you won’t be liable for anything, and it's easier to contest charges if something happens to the item en route.
  • Make purchases via PayPal, an online payment processor that shields your payment information from merchants by transferring funds for you from a pre-authorized account.
  • For additional security, contact your bank to see if you can get a temporary credit card number that is linked to your credit or checking account to use when shopping online.
Shipping — costs and delivery times — is another area of concern  However, many stores offer free shipping when you spend over a certain amount of money; some have free shipping all the time, regardless of the amount spent; and others offer free shipping during promotional periods using promo codes that you may be able to find on freeshipping.org. As far as delivery is concerned, around Christmas, websites such as Amazon.com will give you order cut-off times (a down-to-the-minute deadline by which purchases have to be made) to ensure your package arrives before the holidays. However, delivery guarantees are sometimes only offered if you buy directly from Amazon, and not an Amazon seller, so double-check that your seller can actually deliver by a specified date before purchasing. Macys.com has incredibly fast shipping, and most items ship within two days; to prevent delays, be sure your item is actually in stock and ready to ship before checking out. Also, Overstock.com ships most items within one to three days and offers free shipping for your first order; every order after that ships for only $2.95. Online shopping spree not in the budget this year? No worries. Click here to find out how to recession-proof your holidays. [post_title] => Hassle-free holiday shopping [post_excerpt] => [post_status] => publish [comment_status] => open [ping_status] => open [post_password] => [post_name] => hassle-free-holiday-shopping [to_ping] => [pinged] => [post_modified] => 2010-11-16 09:30:31 [post_modified_gmt] => 2010-11-16 13:30:31 [post_content_filtered] => [post_parent] => 0 [guid] => https://encoreatlanta.com/?p=3532 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw )

Hassle-free holiday shopping is not an oxymoron, and yes, it’s quite possible. With online shopping, you can make your list and check it twice, then buy everything on it with …

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Holiday sights and sounds

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    [post_date] => 2010-11-15 18:15:43
    [post_date_gmt] => 2010-11-15 22:15:43
    [post_content] => Don’t worry about crunching numbers during the holidays Fernbank Museum and Callanwolde Fine Arts Center are partnering up this season to present two programs for one low price. Learn more about the world’s many cultures at Fernbank’s Winter Wonderland: Celebrations & Traditions Around the World, a programmed exhibition showcasing decorated trees, dance performances, storytelling and more. Then, head over to Callanwolde’s Christmas at Callanwolde, where the Gothic-Tudor mansion has been elaborately decorated for the holidays by Atlanta’s top interior designers. Displays and events like a gingerbread village and an ice carving competition are also a part of the program. From Dec. 1-12, experience both attractions for a special package rate of $30 for adults, $25 for students and seniors, and $22 for children ages 12 and younger. — Penn Hansa
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Don’t worry about crunching numbers during the holidays — Fernbank Museum and Callanwolde Fine Arts Center are partnering up this season to present two programs for one low price. Learn …

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Anthony Bourdain: A Q&A with the bad boy of food TV

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    [post_date] => 2010-10-28 15:20:52
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    [post_content] => A veteran of the restaurant world, Anthony Bourdain was largely unknown until the publication of his 1999 New Yorker exposé, "Don’t Eat Before Reading This," which formed the basis for his best-selling book, Kitchen Confidential: Adventures in the Culinary Underbelly. Bourdain has since emerged as the bad boy rock star of the foodie world, releasing critically acclaimed books and exploring the culinary globe as the host of the Travel Channel’s "No Reservations." Now Bourdain is taking his show on the road, coming to the Cobb Energy Performing Arts Centre on Nov. 20 to regale audiences with stories of his travels. We recently caught up with the New York City native to discuss his rebellious past, blessed present and goals for the future.

You have an edgy sensibility that separates you from other celebrity chefs. Where does that come from?

My success came very late. I was in my forties, and I’d spent my adult life working in NYC kitchens, so by the time I made it to TV it was too late to change. I’d love to sell out and be a happy, insincere bobblehead — I’d probably make a lot more money — but I can’t. (Laughs.) I have to look at myself in the mirror every morning.

Was there ever a time when you seriously considered becoming something other than a chef?

No. I was saved by the restaurant business. I was full of rage at the world. I didn’t respect myself or others. If I had a career trajectory, it was towards petty criminality. The restaurant business was the first time I went home feeling proud of myself, and caring about what others thought of me. From the time I fell into it at 17, that was what I wanted to do.

What makes "No Reservations" different in your eyes from any other travel or food-related show on TV?

It’s not one of those hotel channel shows where everything is great and nothing hurts. Because I wrote such an over-testosteroned, occasionally mean memoir, nobody expects me to morph into Rachel Ray. If I hate something, I can say, “This is the worst thing I’ve ever eaten! I hate this country, I hate this food and I’m having a miserable time!” I hope, given that honesty, that when I do say, “This is the greatest thing that ever happened to me,” it has a certain gravitas to it. Honesty is in short supply in TV, and I’m lucky enough to be honest.

Are there any destinations you've visited that stand out?

So many! I’m living a life that most people only dream of. Indonesia, Malaysia, China, Vietnam, Ghana, Brazil, Spain ... these are magical places for me, and I’ve been incredibly fortunate to go there, particularly given how hard the first 30 years of my working life were.

You've become a lot of things: A world-renowned chef, critically acclaimed author, world-traveling TV host, husband and father. How do you maintain balance without burning out?

The first rule of running a really good restaurant kitchen is not screwing up, but beyond that I’m just making it up as I go along. I never anticipated any of this and never really had a plan. It’s just been a matter of, when opportunities present themselves, making good decisions and working through the bad decisions. It’s not about balance, it’s about taking it day by day, staying true to yourself, realizing what you’re good at and incapable of, and trying not to make stupid moves.

Do you have any specific plans or goals for the next 50 years?

I’d like to wear shoes as little as possible. In fact, the same goes for pants. Beyond that, I just want to keep doing what I’m doing.
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A veteran of the restaurant world, Anthony Bourdain was largely unknown until the publication of his 1999 New Yorker exposé, “Don’t Eat Before Reading This,” which formed the basis for …

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